Damayanti

by Raja Ravi Varma
(inclusive of taxes)

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Details

Size: 27.5 x 19.5 inches
Condition: Good Condition
Period: Early 1900s
Medium: Oleograph
Signature: Signed by Ravi Varma

Description

Damayanti is a character in a love story, found in the Vana Parva book of the Mahabharata. She was a princess of the Vidarbha Kingdom, who got married to King Nala of the Nishadha Kingdom. Here, Damayanti is shown pining for her beloved, and pouring her heart out to her companion. The strikingly sad pose of the beautiful Damayanti strikes a chord in the viewer.
This oleograph by acclaimed artist Raja Ravi Varma is in very good condition and carries the artist's signature. It is from the early 1900s.
  • ABOUT Raja Ravi Varma

    Raja Ravi Varma (1848-1906) was a celebrated Indian artist, famous for his realistic portrayal of Indian gods, goddesses and mythological characters, in scenes adapted mainly from the Mahabharata, Ramayana and the Puranas.

    Considered to be one of the greatest painters in the history of Indian art, Ravi Varma fused European techniques with a pure Indian sensibility. Though a protégé of royalty, Raja Ravi Varma was the first to make prints (or lithographs) of his artworks affordable and easily available, bringing fine art to the masses. In fact, the Raja Ravi Varma Press was started in Mumbai by him in 1894, and managed by his brother Raja Varma, before being bought over by a German company. 

    An original 1890 Ravi Varma oil on canvas, titled 'Radha In The Moonlight' was sold for a whopping Rs. 20 crores at a Pundole auction in November 2016.

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  • ABOUT Oleographs

    Oleographs, also called chromolithographs, are multi-colour art prints, stemming from the process of lithography. Pioneered in the 1830s, the process of producing oleographs came into wide commercial use in the 1860s. The technique relied on using several woodblocks or stones with colours for printing, while hand-colouring remained an important aspect as well. Depending on the number of colours present, an oleograph could take months to produce by very skilled workers. Poor preservation and cheaper printing alternatives have made oleographs hard to find. Today, they are mainly used as fine art.

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