Parvati

by Smruthi Gargi Eswar

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This artwork is accompanied by an Authenticity Certificate.

All orders are insured for transit.

We ship worldwide.

Details

Size:	36 x 27 inches
Medium:	K3 Pigment Print on Archival Paper
Style:	Digital Art
Edition:	Edition of 10 + 2 Artist Prints
Signature:	Bottom Right in English

Description

The image of Parvati covering her face with a lotus is the story behind the Lingam and the Yoni. A lipped disk shaped form – the Yoni (the emblem of the Devi) with the phallic Lingam (the presence of the God Shiva). The couple would come to be known and symbolized for their thousand years of lovemaking.
In that era of pleasure, the walls of the glacier (their home in the mountains) thawed and Shiva’s tapas was released into the world – rivers into the plains and life into the dry soil. Their union would be symbolic and would come to represent fertility, generative and creative power at every cosmic level. In their cave of copulation though, nothing mattered to them. Greater responsibilities as gods were consumed by their lust for each other.
This disregard for the rest of existence only seemed to be problematic when they received unexpected guests, and Rishis at that. These sages of deep thought and meditation are often proud men, welcomed with reverence wherever they roam. Impatient, arrogant and in fits of fury are known to curse both humans and gods. Arriving at Shiva and Parvati’s abode, they walked right in on the couple making love. Parvati was shy, and giggled as she covered her face with a lotus, because Shiva would not stop making love to her. The Rishis were appalled and angry, and cursed the couple that they would from then on, be known and represented by the Lingam and Yoni. A curse that made little difference to anyone and the idea of shame receded into the horizon along with the irate and sanctimonious Rishis.

About the Series:
This artwork is part of the “Sister Misfortune” series, through which the artist, Smruthi Gargi Eswar, narrates lesser-known stories from Indian mythology, while reflecting on the narrative surrounding women in our culture. Various Indian goddesses (devis) are depicted with a refreshing artistic lens.
In India, there is a constant burden on women to be “Devi-like”. Through this series, the artist attempts a reverse deification of the goddesses, making them appear like real women, in a real world. The series is an exploration not just of duality, but of multiplicity. It compels us to question our attitudes - women towards themselves, men towards women. How does the idea of a goddess coexist within every woman? How do we, as a society, so casually dismiss, disrespect, disregard, and defile in our everyday existence, those who we have bedecked with gold and enshrined in a temple?

Description

The image of Parvati covering her face with a lotus is the story behind the Lingam and the Yoni. A lipped disk shaped form – the Yoni (the emblem of the Devi) with the phallic Lingam (the presence of the God Shiva). The couple would come to be known and symbolized for their thousand years of lovemaking.
In that era of pleasure, the walls of the glacier (their home in the mountains) thawed and Shiva’s tapas was released into the world – rivers into the plains and life into the dry soil. Their union would be symbolic and would come to represent fertility, generative and creative power at every cosmic level. In their cave of copulation though, nothing mattered to them. Greater responsibilities as gods were consumed by their lust for each other.
This disregard for the rest of existence only seemed to be problematic when they received unexpected guests, and Rishis at that. These sages of deep thought and meditation are often proud men, welcomed with reverence wherever they roam. Impatient, arrogant and in fits of fury are known to curse both humans and gods. Arriving at Shiva and Parvati’s abode, they walked right in on the couple making love. Parvati was shy, and giggled as she covered her face with a lotus, because Shiva would not stop making love to her. The Rishis were appalled and angry, and cursed the couple that they would from then on, be known and represented by the Lingam and Yoni. A curse that made little difference to anyone and the idea of shame receded into the horizon along with the irate and sanctimonious Rishis.

About the Series:
This artwork is part of the “Sister Misfortune” series, through which the artist, Smruthi Gargi Eswar, narrates lesser-known stories from Indian mythology, while reflecting on the narrative surrounding women in our culture. Various Indian goddesses (devis) are depicted with a refreshing artistic lens.
In India, there is a constant burden on women to be “Devi-like”. Through this series, the artist attempts a reverse deification of the goddesses, making them appear like real women, in a real world. The series is an exploration not just of duality, but of multiplicity. It compels us to question our attitudes - women towards themselves, men towards women. How does the idea of a goddess coexist within every woman? How do we, as a society, so casually dismiss, disrespect, disregard, and defile in our everyday existence, those who we have bedecked with gold and enshrined in a temple?

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ABOUT Smruthi Gargi Eswar

Smruthi Gargi Eswar is a painter, graphic artist and storyteller. She studied at the Baroda Faculty of Fine Arts and Chitrakala Parishath, Bangalore briefly. Her art studies started much earlier, while she was still a student at The Valley School KFI. From a fine arts education, Smruthi moved on to graphic design and photography almost immediately. Eventually she returned to the world of art, finding within it, an avenue to explore, address and express at a more personal level. Working with hidden and forgotten mythologies, she brings them to life with a highly unique and singular expression—one that is contemporary while still carrying within it a deep sense of time.
With shows travelling to Berlin & Syke, Budapest, New York, Cochin, Delhi, Mumbai and Hyderabad, Smruthi works from her studio space—Studio Smu—in Bangalore, India. She has also enjoyed collaborating with designers, performance artists and other creative professionals. In 2014, she held a solo show in New Delhi, showcasing works from her “Sister Misfortune” series at acclaimed fashion designer Ritu Kumar’s flagship store. The hugely successful art series, for which Smruthi has been creating works for over a decade, has also been exhibited in Kochi, Bangalore, Mumbai and Hyderabad. Moving on to painting on canvas, she has launched her most recent series, “The Centre is Everywhere”, with Artisera in her home city, Bangalore.
With her photography work published in India and the Philippines, and her performative story telling hosted by Ballhaus Ost in Berlin, Smruthi’s art has been engaged with and collected by art patrons around the world.

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ABOUT Digital Art

Digital art is a term used to describe an artistic practice that uses digital technology either as part of the creative or the presentation process. It falls under the umbrella world of new media art. Since the 1960s, various different names have been used to describe digital art, and some of the other commonly used terms include computer art, multimedia art, and even graphic art.

Digital artworks can be created as unique or editioned pieces. To maintain the value and exclusivity of the artwork, an artist would typically destroy the source file (of the artwork), once the number of pre-decided pieces have been sold. Digital artworks may be presented digitally, but more commonly, they are printed works of art that can be hung on a wall, much like a painting.

Contrary to misconception, creating digital art also requires artistic skills such as sketching, drawing and colouring, as digital artists use all of these to create their artworks on the computer. While there may be some lingering debate about the pros and cons of this new age medium of creation, there is no doubt, that digital art has created a vast expansion of the creative sphere.

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Details

Size:	36 x 27 inches
Medium:	K3 Pigment Print on Archival Paper
Style:	Digital Art
Edition:	Edition of 10 + 2 Artist Prints
Signature:	Bottom Right in English

AUTHENTICITY

This artwork is accompanied by an Authenticity Certificate.

Returns

We accept returns within 7 days of delivery if the item reaches you in damaged condition.
Shipping

This artwork will be shipped rolled. Shipping costs are extra, and will be calculated based on the shipping address.

All orders are insured for transit.

We ship worldwide.

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