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Blessing of the Corn - Divar Island, Old Goa #2, 1992
by Karan KapoorAll orders are insured for transit.
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All orders are insured for transit.
We ship worldwide.
All orders are insured for transit.
We ship worldwide.
Medium: | Silver Gelatin Print |
Edition: | Edition of 12 |
Size: | 16 x 20 inches |
This photograph is part of a collection titled ‘Time & Tide’, by Karan Kapoor.
Time & Tide is comprised of photographs drawn from two bodies of work by Kapoor. The first, the genesis of his interest in photography, are photographs from the 1980’s of older Anglo-Indians primarily from Calcutta and Bombay. An Anglo-Indian himself, Kapoor was interested in the community that found themselves caught between the racial divide, and since the end of the British Empire, in a steadily changing world.
The idea of a world no longer present or fast fading, central to this work, also forms a primary thread in Kapoor’s second series of photographs taken during his frequent visits to Goa, where he vacationed with his family and friends at their house on Baga Beach. Taken in the 1990s, these photographs capture an older Goa, the last remnants of Portuguese Goa. Although Goan Catholics, probably the largest inheritors and key defenders of their Portuguese heritage continue to exist in Goa today, their numbers have steadily declined over the years.
This photograph is part of a collection titled ‘Time & Tide’, by Karan Kapoor.
Time & Tide is comprised of photographs drawn from two bodies of work by Kapoor. The first, the genesis of his interest in photography, are photographs from the 1980’s of older Anglo-Indians primarily from Calcutta and Bombay. An Anglo-Indian himself, Kapoor was interested in the community that found themselves caught between the racial divide, and since the end of the British Empire, in a steadily changing world.
The idea of a world no longer present or fast fading, central to this work, also forms a primary thread in Kapoor’s second series of photographs taken during his frequent visits to Goa, where he vacationed with his family and friends at their house on Baga Beach. Taken in the 1990s, these photographs capture an older Goa, the last remnants of Portuguese Goa. Although Goan Catholics, probably the largest inheritors and key defenders of their Portuguese heritage continue to exist in Goa today, their numbers have steadily declined over the years.
Karan Kapoor is a London-based photographer of Indian and British descent. After pursuing a career in the Indian film and modelling industries, Karan Kapoor, son of veteran actor Shashi Kapoor and grandson of Prithviraj Kapoor, took up photojournalism in the 1980s. Since then, he has focused considerably on photography for advertising, and worked on multiple high-profile campaigns for major brands through the course of his career.
Kapoor’s photographs have been exhibited at the Photographers Gallery, The Commonwealth Institute, Royal Academy of Arts and the Association of Photographers. His work has been published by several media-houses and he continues to be critically acclaimed by the photography industry.
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Artisera is a destination for artistic luxury where you can discover and buy the most exquisite pieces of fine art and collectibles. With an unwavering focus on quality and curation, we bring to you a handpicked selection of paintings, drawings, limited edition prints and serigraphs, sculptures, digital art, pichwais, traditional art, tribal art, old collectibles, curios, artefacts and more. Each piece at Artisera is sourced from the most reputed and trustworthy artists, designers and collectors, so that you can truly enjoy your experience of discovering that special find.
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