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Collaboration
by Nikheel AphaleAll orders are insured for transit.
We ship worldwide.
All orders are insured for transit.
We ship worldwide.
Details
Size: | 20 x 28 inches |
Medium: | India Ink and Gold Mica Ink on Paper |
Year: | 2022 |
Signature: | Bottom Right |
Description
This artwork is part of the "Varnamala" series by Nikheel Aphale, who considers the Devanagari script to be his muse. Varnamala means "alphabet". Devanagari is an ancient Indian script in which Sanskrit, Hindi, Nepali, Marathi and some other languages are written. Nikheel draws parallels between the constitution of letters and human beings, through the lens of diversity, co-existence and togetherness. His artworks, inspired by and rooted in the beautiful Devanagari script, celebrate the ideals of unity, diversity, humanity and oneness, using letters as a metaphor. For instance, the Devanagari script allows one to write exactly how a word is spoken, reflecting honesty and purity of expression - values much appreciated in human beings. There is also no concept of upper case and lower case letters in the script. All letters are at the same level - no hierarchy, no discrimination in terms of position - perhaps an ideal to strive towards in human society too?
Titled "Collaboration", this artwork dwells upon the idea that each word is formed with the combination of a vowel and consonant. This association or alliance is inseparable, and such collaboration results in a meaningful and beautiful world where letters form words, words form sentences, sentences form a whole language, and language forms culture - the fabric of society.
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Description
This artwork is part of the "Varnamala" series by Nikheel Aphale, who considers the Devanagari script to be his muse. Varnamala means "alphabet". Devanagari is an ancient Indian script in which Sanskrit, Hindi, Nepali, Marathi and some other languages are written. Nikheel draws parallels between the constitution of letters and human beings, through the lens of diversity, co-existence and togetherness. His artworks, inspired by and rooted in the beautiful Devanagari script, celebrate the ideals of unity, diversity, humanity and oneness, using letters as a metaphor. For instance, the Devanagari script allows one to write exactly how a word is spoken, reflecting honesty and purity of expression - values much appreciated in human beings. There is also no concept of upper case and lower case letters in the script. All letters are at the same level - no hierarchy, no discrimination in terms of position - perhaps an ideal to strive towards in human society too?
Titled "Collaboration", this artwork dwells upon the idea that each word is formed with the combination of a vowel and consonant. This association or alliance is inseparable, and such collaboration results in a meaningful and beautiful world where letters form words, words form sentences, sentences form a whole language, and language forms culture - the fabric of society. -
ABOUT Nikheel Aphale
Letters not only speak to, but entice calligraphy artist Nikheel Aphale, who believes in taking calligraphy beyond its conventional definition of “the art of beautiful handwriting.” Nikheel uses his own letters – akshars – as a means of expression. Using calligraphy, he creates art that is imperfect yet beautiful, with the texture of ink, the spaces, the overlapping letterforms and mingling strokes making his artworks a truly visual experience. The Devanagari script is Nikheel’s muse; he adores its traditional and spiritual roots, and being the script of his mother tongue, Marathi, he feels deeply connected to it.
Born in Mumbai in 1979, Nikheel has nurtured a fascination with alphabets since childhood. He graduated from LS Raheja School of Arts, Mumbai in applied arts and later obtained a post-graduation in graphic design from the National Institute of Design (NID), Ahmedabad. Under the mentorship of Brody Neuenschwander, he has completed a two-year study exploring the creative dimensions of text art.
In addition to his roles as an artist, TEDx speaker, educator, and book cover designer, Nikheel has had the privilege of speaking at various calligraphy events in India. He has also participated in prestigious art events such as the Auroville Art Residency in India, the One Asia Project in Taipei, and the online exhibition “A Brush with Silence” in Bruges, Belgium. Furthermore, Nikheel’s work has been showcased in prominent art events in South Korea, including the World Calligraphy Biennale and the Asian Calligraphy Festival. He received the ‘Excellence in Calligraphy’ award at the Jikji International Calligraphy Exhibition in South Korea. In 2023, his work received recognition by being long listed for the Jackson Painting Prize. Nikheel’s interviews and work have been featured in various international platforms and prominent publications such as juried issues of Letter Arts Review in the USA, Typism books, Vogue, Juggernaut, Platform, Kyoorius, POOL and NDTV. Nikheel’s work is part of the permanent display in India’s new Parliament Building.
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Details
Size: 20 x 28 inches Medium: India Ink and Gold Mica Ink on Paper Year: 2022 Signature: Bottom Right AUTHENTICITY
This artwork is accompanied by an Authenticity Certificate.
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Returns
We accept returns within 7 days of delivery if the item reaches you in damaged condition.CARE INSTRUCTIONS
Artworks should be displayed away from direct sunlight and breeze. To clean accumulated dust from a painting, use a soft, dry brush very lightly on the surface. Make sure there is no moisture on the bristles before touching the artwork. For repairing more severe damage, such as cracks or discolouration, it is best to seek help from a professional. Once a year, remove the artwork from the wall for a couple of days to let the wall breathe and avoid moisture accumulation. -
Shipping
Shipping costs are extra, and will be calculated based on the shipping address.All orders are insured for transit.
We ship worldwide.
CARE INSTRUCTIONS
Artworks should be displayed away from direct sunlight and breeze. To clean accumulated dust from a painting, use a soft, dry brush very lightly on the surface. Make sure there is no moisture on the bristles before touching the artwork. For repairing more severe damage, such as cracks or discolouration, it is best to seek help from a professional. Once a year, remove the artwork from the wall for a couple of days to let the wall breathe and avoid moisture accumulation.
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