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Ahalya Shaap Vimochan - 02

by Raja Ravi Varma
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Details

Size: 22.5 x 16.5 inches (framed)
Medium: Oleograph
Signature: Bottom Left

Description

Rare oleograph of 'Ahalya Shaap Vimochan' or Rama Releasing Ahalya From Her Curse by Raja Ravi Varma from the early 1900s. Ahalya is the wife of the sage Gautama Maharishi. This print depicts the story of her seduction by Indra (King of Gods), as he had tricked her by taking her husband’s form. Her husband then cursed her for her infidelity and turned her to a stone. Lord Rama, one of Vishnu's avatars, visits Gautama's ashram before he reaches Mithila for the swayamvar of Sita, accompanied by sage Vishwamitra and Lakshmana. He brushes his feet against the stone that Ahalya had been turned into, and she is released from the curse and turned back to her human form. 

  • ABOUT Raja Ravi Varma

    Raja Ravi Varma (1848-1906) was a celebrated Indian artist, famous for his realistic portrayal of Indian gods, goddesses and mythological characters, in scenes adapted mainly from the Mahabharata, Ramayana and the Puranas.

    Considered to be one of the greatest painters in the history of Indian art, Ravi Varma fused European techniques with a pure Indian sensibility. Though a protégé of royalty, Raja Ravi Varma was the first to make prints (or lithographs) of his artworks affordable and easily available, bringing fine art to the masses. In fact, the Raja Ravi Varma Press was started in Mumbai by him in 1894, and managed by his brother Raja Varma, before being bought over by a German company. 

    An original 1890 Ravi Varma oil on canvas, titled 'Radha In The Moonlight' was sold for a whopping Rs. 20 crores at a Pundole auction in November 2016.

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  • ABOUT Oleographs

    Oleographs, also called chromolithographs, are multi-colour art prints, stemming from the process of lithography. Pioneered in the 1830s, the process of producing oleographs came into wide commercial use in the 1860s. The technique relied on using several woodblocks or stones with colours for printing, while hand-colouring remained an important aspect as well. Depending on the number of colours present, an oleograph could take months to produce by very skilled workers. Poor preservation and cheaper printing alternatives have made oleographs hard to find. Today, they are mainly used as fine art.

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